Create your own creature and guide it from single-celled organism to ultimate space tyrant.
PC Release: September 7, 2008
By Ian Coppock
2016 has been a pretty rough year. Not “just” because of the vitriolic American presidential election, or the proliferation of war and disease, but because we’ve lost a massive slate of mankind’s most talented creators. From David Bowie to Prince, and Edward Albee to Leonard Cohen, humanity’s gallery of artists took a big dent this year. Therefore, perhaps it’s time to skip over to a video game that celebrates creativity above all else. No gritty set pieces, no visceral gameplay, just wild abandon in a literal galaxy of possibilities. The only game that this intro could possibly fit is Spore.
Released in 2008 by an EA subsidiary called Maxis, Spore is a creature creator game that challenges players to, well, create their own creature. At least for starters. The game actually entices players to do a lot more; to not only create an alien beastie, but to guide it through five stages of “evolution”. Each stage encompasses a different type of gameplay and different challenges for players to overcome. In the end, what starts out as a tiny cell in a primordial pool could very well be the galaxy’s next alien overlord. Players are free to explore their species’ pool, then planet, then galaxy, ad nauseum.
Spore starts things off by presenting players with a slate of possible home planets to pick from. Each one has its own terrain and exists concurrently within an entire galaxy, allowing players to have a few species at once. After picking one, players start out as a tiny cellular organism in a pond somewhere. This stage of the game is pretty simple; just eat plants (or other cells) and grow over several generations. It’s a top-down game mode that revolves around eating things smaller than the player, and avoiding the things larger than the player.
After eating their way to a more substantial size, players can add limbs to their creature and emerge onto dry land. This is one of Spore‘s more substantial game modes; players control their creature from a third-person perspective and wander the landscape in search of animal parts. These parts can be acquired through exploration and befriending (or murdering) the other animals around the player’s creature. Players can then add these parts, be they extra limbs or a longer tail, to each successive generation of creature.
The creature creation and modification mechanic is by far Spore‘s most iconic feature. While upgrading their beastie, players are taken to a special studio screen where they can make thousands of possible modifications to their creature. Players can add everything from wings for flying to poison spitters for fighting, and modify their creature’s body shape by toggling its vertebrae. Creatures can also be brightened up with dozens of paint and pattern options. Players can even test their beastie’s animations or make them perform funny dance moves. Though the number of possible combinations for creature design is practically limitless, players can only put so much stuff on their animal at one time.
Gathering parts serves a more subtle purpose than creature modification; it’s also the primary means by which the player’s animal can advance. Spore has been called an evolution game by some critics, but it’s anything but. Sure, the creature develops new features, but those are according to the whim of a god-like player, not to better adapt to an environment. Regardless, gathering parts and modifying the creature is how it becomes more sophisticated. With better parts, players can become more adept at befriending other animals or slaying them for food. As with the cellular mode, Spore‘s animal mode is fairly simplistic: run around and either fight or befriend other creatures. That’s about it.
After sufficient time spent adding parts, the creature will gain sentience, and the third stage of Spore kicks in. The game shifts from a third-person adventure to an isometric real-time strategy game, in which players manage a primitive tribe of their newly sapient creation. In this mode, players can conquer or ally with other villages of their species, as well as hunt for food and build up settlements. This mode is stripped down to the point of being simplistic, but after all the other tribes have been conquered or befriended, players can move on to building cities.
Spore‘s fourth stage again shifts gears, this time toward a city sim game with light combat elements. Players can built shining metropolises and vehicles with which to wage war against other city-states. The creation mechanic is largely abandoned in the tribal stage, but comes back in the city stage in the form of vehicle creation. Just like with their animal, players can craft an endless assortment of tanks, airplanes, and other vehicles in pursuit of world conquest. Similarly to tribal mode, these technologies are acquired via befriending or conquering other cities. Players will be expected to manage diplomacy, and their negotiation preferences as a tribe directly affects the industry of their city. For example, if the player’s creature was a complete dick to its neighbors in tribal, its city-state will feature a strong military.
Finally, after the world has been conquered by a combination of planes, trains and automobiles, the player’s creature can develop spaceflight and depart to conquer other worlds. This is where Spore really opens up; at stage five, players are given an entire galaxy to play with. This time the gameplay sports a mix of space economy management and third-person space combat, as players expand their empires and defend its borders from hostile species. Because this portion of the game is a literal galaxy in size, there’s little chance of running out of things to shoot, explore, conquer, or terraform anytime soon.
There’s a lot to unpack with all those paragraphs of gameplay description, but Spore‘s chief takeaway is its potential for creativity. The game’s open-ended creature, building and vehicle design is nothing short of spectacular, and it’s so easy to pick up. With just a few simple tools, players can craft almost anything they want, from an eight-eyed sociopath to a tank with wings. Players can do this as part of upgrading their creature, or add as many creations as they want to the in-game library. In case all of that wasn’t enough, Maxis also enclosed a massive library of their own creations, encompassing hundreds of pre-made creatures, vehicles and buildings that are all ready to use.
The helpful factor about character and vehicle creation is how bubbly Spore looks. The entire game is decked out in bright pastel colors and lots of big, bubbly objects. Character animations can get a bit wonky (especially when lots of body parts are involved) but the game’s ability to animate creatures almost no matter their composition is impressive. Spore launched with some DRM that was ruthless even by EA standards, but it’s been absent from the Steam copy of the game for years. The game runs well on modern machines and, sans a couple of desktop crashes, is bug-free.
The problem with Spore is that its penchant for creativity is only skin-deep. As countless critics have noted before now, this game’s gameplay is extremely shallow. In trying to be five different games at once, Spore stretches a handful of simplistic mechanics far too thinly. The result is a game that, while aesthetically pleasing and fun to toy around in, is exceptionally clunky and comprised of only 2-3 game mechanics per stage.
For example, the cellular stage can be completed in under 10 minutes by just swimming around and eating things. The animal stage’s only gameplay mechanic is diplomacy toward other animals, to say nothing of its clunky movement controls, tiresome cooldown-based combat, or limited exploration area. The tribal stage is similarly hollow, with players only able to attack or befriend neighbors, and tame certain animals. The city stage affords more variety in gameplay approach, but a lot of that is determined by how the player behaved in the tribal stage. As previously mentioned, a belligerent tribe results in a belligerent city-state, and gameplay options for diplomacy or trade are hamstrung for an entire stage of gameplay.
The one stage of Spore that has some depth to it is the space stage. Players can conquer worlds, wage war upon alien species, and gather valuable spices from across their empires. However, the fact that this stage of Spore has more content in it than the previous four stages combined makes the game feel dreadfully unbalanced. It doesn’t help that spice-gathering, the primary means by which players make money, is barely explained at all. Neither is terraforming, or exploring more advanced galactic formations, such as wormholes.
Spore also has an unfortunate tendency to punish players for exploring its galaxy. There are literally thousands if not millions of planets players can conquer, but do they have a mighty space fleet with which to defend these holdings? Nope. Just the one ship. Having a large empire is not worth the time spent fending off space pirates, especially if the player’s species is at war with several rivals. Like a certain recent space exploration game that will remain nameless, players can also race to the center of the galaxy. The issue with that, however, is that the entire main body of the galaxy is inhabited by the Grox. These ruthless cyborgs will, upon discovering the player’s species, try to pound it into space dust with their much more powerful ships. Players in the mood for something more pensive are therefore best off exploring around their worlds and avoiding the endgame. Don’t worry; the item one gets for reaching the galactic core isn’t all that great anyway.
As previously stated, the most fun to be had in Spore is in the game’s creation studios. Its gameplay may not be all that impressive, but there’s a lot of fun to be had in creating entire fleets of spaceships, or a massive carnivore that has swords for testicles. Less fun is actually putting these creations through the paces of Spore‘s shallow gameplay. It can be fun to expand creatures’ space empires, but even this funnest part of Spore is wracked with tedium.
Hilariously, Spore also features two standalone DLC packs that appear as their own items in the Steam library. Each one is twenty dollars; the former adds a few dozen extra animal parts, and the latter makes it possible for space explorers to beam down onto a planet. The exploration pack adds some value to the main game, but asking $20 for it is a little on the nose, especially after eight years on the market. Electronic Arts might want to double-check their older games’ pricing.
In the end, Spore feels less like a cell-to-space odyssey and more like an asset creation workshop with some floppy gameplay appendages stapled to it. The gameplay is clunky in too many places and shallow across the board. It’s a great way to express some creativity on screen, but actually taking that creativity and molding it into something more tangible is beyond Spore‘s ability. Spore will entertain kids, though, and sometimes there’s nothing more amusing than making a scary monster do the disco point. It’s just a shame that Maxis didn’t put that same amount of fun and creativity into the rest of the game.
You can buy Spore here.
Thank you for reading! My next review will be posted in a few days. You can follow Art as Games on Twitter @IanLayneCoppock, or friend me at username Art as Games on Steam. Feel free to leave a comment or email me at firstname.lastname@example.org with a game that you’d like to see reviewed, though bear in mind that I only review PC games.